Triolet


The triolet has eight lines, and it comes from a French word meaning “small trio.” I have no idea how its name came about – it is one of those enigmas of language - perhaps the "small trio" refers to the three repititions of the first line.

Like a villanelle, It has only two rhymes, and two of the lines repeat.
Here’s the layout:

1A first rhyme
1B second rhyme
2a rhymes with first line
1A repeat first line
3a rhymes with first line
2b rhymes with second line
1A repeat first line
1B repeat second line

There is no hard and fast rule about meter, but once you have chosen the length of your line, the other lines that rhyme with it should be the same.

It seems to have good flow if the “a” and “b” lines are different lengths.

I had only seen humorous ones, but when I got around to trying to write one, I found it can be deceptively powerful - like the quick stabbing of a stiletto…and suddenly I realized that a poem I have loved all my life is actually one of these powerful triolets.

Since you have the same pair of lines at the beginning and the end – that pair is a good place to begin. Especially that first line! It is really half of the entire poem!

This triolet is frequently used to explain the form – even though it actually does not follow the correct rhyme scheme

--G.K. Chesterton:
I wish I were a jelly fish
That cannot fall downstairs:
Of all the things I wish to wish
I wish I were a jelly fish
That hasn't any cares,
And doesn't even have to wish
"I wish I were a jelly fish
That cannot fall downstairs."

This triolet is, in every sense, perfect
-- Frances Cornford

O why do you walk through the fields in gloves,
Missing so much and so much?
O fat white woman whom nobody loves,
Why do you walk through the fields in gloves,
When the grass is soft as the breast of doves
And shivering sweet to the touch?
O why do you walk through the fields in gloves,
Missing so much and so much?

 

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